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For the addicted, pregnant, and poor women living in daily-rent hotels in San Francisco's Mission district, life is marked by battles against drug cravings, housing debt, and potential violence. In this stunning ethnography Kelly Ray Knight presents these women in all their complex humanity and asks what kinds of futures are possible for them given their seemingly hopeless situation. During her four years of fieldwork Knight documented women’s struggles as they traveled from the street to the clinic, jail, and family court, and back to the hotels. She approaches addicted pregnancy as an everyday phenomenon in these women's lives and describes how they must navigate the tension between pregnancy's demands to stay clean and the pull of addiction and poverty toward drug use and sex work. By creating the space for addicted women's own narratives and examining addicted pregnancy from medical, policy, and social science perspectives, Knight forces us to confront and reconsider the ways we think about addiction, trauma, health, criminality, and responsibility.  

• Sales Rank: #94326 in Books
• Published on: 2015-10-27
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .70" w x 6.00" l, .0 pounds
• Binding: Paperback
• 328 pages

Review
"Kelly Ray Knight has the courage to expose eloquently and ethnographically one of the most painful public secrets of addiction and urban poverty (and gentrification) that medicine, public health, science, and society cannot solve. What this book documents ethnographically and explores theoretically must be confronted in all its impossible complexity and violence."  (Philippe Bourgois, coauthor of Righteous Dopefiend)

"Kelly Ray Knight writes with compassion and self-reflection, and one of her great strengths is the way she gracefully renders her own doubts and self-ironies into the stories she collects from pregnant addicts, making both her subjects and herself more 'real' and complicated. addicted.pregnant.poor brings the experience of pregnant drug addicts close to the reader, giving them human voices, faces, and fears. Knight's plunge into the dangerous, barely survivable world these women inhabit is tremendously compelling." (Rayna Rapp, author of Testing Women, Testing the Fetus: The Social Impact of Amniocentesis in America)

"The Mission District is very much a part of this narrative. Knight understands that individual women’s stories do not exist in a vacuum within the city; they speak volumes about the gentrification to the area unhinted-at in the book’s title, the new people moving in, the private 'Google buses' that shuttle tech workers to their well-paid jobs. ... This is a sobering, poignant ethnography that affords dignity to women whose lives are stripped of it by a system that has let them down." (Lisa McKenzie Times Higher Education 2015-10-01)

"Addicted.pregnant.poor is a poignant read. Knight describes a range of conflicting emotions elicited throughout the course of her research. She depicts the ambivalent feelings of the array of professionals included in the study; her book evokes similar responses in the reader. Throughout the book, Knight poses reflexive questions for which there are no clear answers. While we see the perspective of pregnant addicts, as well as of those whose life’s work is to aid or manage them, the reader is left confounded regarding viable solutions.Yet, with this thorough treatment of the issues faced by addicted pregnant women and their service providers, there is now more contextualized information for professionals and policy-makers to work with. This book is a valuable resource for all stakeholders and should be a staple for everyone involved in work with pregnant addicts."  (Kalynn Amundson Journal of Children and Poverty 2016-01-01)

"Addicted.pregnant.poor is the sort of ethnography you start reading and don’t put down again until it’s finished. ... an honest and often harrowing account of women who have quite literally fallen through the cracks." (Kirsten Bell Somatosphere 2016-02-25)

"Knight’s capacity for storytelling is a significant strength of this book. Through a combination of ethno-photography and strategic integration of strikingly vivid verbatim field notes, she adds colorful context to her analysis. The field notes really allow the women’s voices to be heard in a way that enables the reader to vicariously experience the pain of child loss, eviction from the daily rent hotel rooms, public benefit denial, arrests, and the literal highs and lows of cyclical drug use. ... This book clearly highlights the discrepancies between intent and impact so that social workers, as well as other professionals, can reflect on where they have been going wrong and identify new approaches for intervention with women at risk for addiction, poverty, and the lack of good health care when pregnant."  (Janaé E. Bonsu Affilia 2016-03-15)

"Knight  has succeeded in focusing an ethnographic lens on a rarely studied group of people: drug-using women who are pregnant and living in daily rent hotels. . . .The author makes excellent use of powerful photos of life in the hotels, wisely not including pictures of the women themselves. Highly recommended. All academic levels/libraries." (I. Glasser Choice 2016-04-01)

"This evocative text is a masterful synthesis of sincerity and sophistication, intensely self-reflexive, making for an exemplary text for graduate seminars in qualitative, ethnographic methodology." (Nancy Campbell Medical Anthropology Quarterly 2016-06-06)

"Overall, this book is a wonderful contribution to the anthropology of addiction and of homelessness, with a specific focus on gender that is unique and far-reaching. Knight succeeds in humanizing a population that is continually judged, disregarded, and rendered as a failure."   (Parsa Bastani Association for Feminist Anthropology 2016-06-06)

About the Author
Kelly Ray Knight is Assistant Professor of Anthropology, History, and Social Medicine at the University of California, San Francisco. 

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1 of 1 people found the following review helpful.
Real research & great detail on a real problem
By Amazon Customer
Real research & great detail on a real problem. The problem is that we don't provide any usable help for women struggling with addiction. Very short sighted set of anti-child & anti family policies we have. Results in disoriented, discouraged mothers & disabled children.

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Following the American indie cinema boom of the 1990s and the creation of "specialty" divisions by several Hollywood studios, many predicted an end to both the indie sector's viability and the making of films with ambitions beyond the commercial mainstream. Yet, as Geoff King demonstrates, plenty of distinct indie productions continue to thrive, even in the face of difficult economic circumstances.

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• Sales Rank: #2521189 in Books
• Published on: 2014-04-22
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.25" w x 1.00" l, 1.10 pounds
• Binding: Paperback
• 288 pages

Review

Among several excellent recent books on US indie cinema... King's is the most wideranging and illuminating... Highly recommended.

(CHOICE)

Review

Indie 2.0 offers a valuable combination of close critical analyses of several key works, discussions of film production and distribution practices, and considerations of critical and cultural reception. Geoff King weaves these different kinds of commentary together into a convincing and timely study on the renewal of indie cinema that draws on many of the historically rooted conventions and appeals of alternative film practice in the twentieth century.

(Michael Z. Newman, author of Indie: An American Film Culture)

About the Author

Geoff King is professor of film and television studies at Brunel University and the author of American Independent Cinema; Indiewood, U.S.A.: Where Hollywood Meets Independent Cinema; New Hollywood Cinema: An Introduction; and Spectacular Narratives: Hollywood in the Age of the Blockbuster.

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• Sales Rank: #7445733 in Books
• Published on: 2012-11-30
• Dimensions: 11.00" h x .18" w x 8.50" l,
• Binding: Paperback
• 78 pages

About the Author
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• Published on: 2014-06-18
• Original language: English
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• Binding: Paperback
• 76 pages

About the Author
John P. McEneny is a full-time drama teacher at the William Alexander Middle School 51 in Park Slope, Brooklyn. He is the Artistic Director of Piper Theatre Productions, Inc. His plays include Mayla the Monkey Girl (Playscripts Inc.), The Grippe of October (YouthPLAYS), Cold April (Best Plays Strawberry Fest), Aposiopesis (Smith & Krause's 2013 Best Ten Minute Plays; 2013 Best Men's Monologues). Pollywog performed at NYU Steinhardt's New Plays for Young Audiences Festival at the Provincetown Playhouse, and The Island of Doctor Moreau performed at 59E59 East of Edinburgh Festival and the Edinburgh Fringe Festival, where it won the Bobby's Sixth Star Award for Best Play. Other plays include Midnight Circus, Hydra (co-author Rachel Rear), Boy in the Iron Mask, Frankenstein, Puppet Children and Mr. Splitfoot (co-author Vasile Flutur).

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[K802.Ebook] Free Ebook Vise and Shadow: Essays on the Lyric Imagination, Poetry, Art, and Culture, by Peter Balakian

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Peter Balakian is a renowned poet, scholar, and memoirist; but his work as an essayist often prefigures and illuminates all three. "I think of vise and shadow as two dimensions of the lyric (literary and visual) imagination," he writes in the preface to this collection, which brings together essayistic writings produced over the course of twenty-five years. Vise, "as in grabbing and holding with pressure," but also in the sense of the vise-grip of the imagination, which can yield both clarity and knowledge. Consider the vise-grip of some of the poems of our best lyric poets, how language might be put under pressure "as carbon might be put under pressure to create a diamond." And shadow, the second half of the title: both as noun, "the shaded or darker portion of the picture or view or perspective," "partial illumination and partial darkness"; and as verb, to shadow, "to trail secretly as an inseparable companion" or a "force that follows something with fidelity; to cast a dark light on something—a person, an event, an object, a form in nature."

Vise and Shadow draws into conversation such disparate figures as W. B. Yeats, Hart Crane, Joan Didion, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, and Arshile Gorky, revealing how the lyric imagination of these artists grips experience, "shadows history," and "casts its own type of illumination," creating one of the deepest kinds of human knowledge and sober truth. In these elegantly written essays, Balakian offers a fresh way to think about the power of poetry, art, and the lyrical imagination as well as history, trauma, and memory.

• Sales Rank: #556715 in Books
• Published on: 2015-05-06
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.10" w x 5.50" l, .0 pounds
• Binding: Paperback
• 224 pages

Review
"Vise and Shadow belongs on a shelf alongside the literary essays of J. M. Coetzee, Adrienne Rich, and Seamus Heaney--all of whom are absorbed by the very same questions haunting and inspiring Balakian." (Askold Melnyczuk, author of The House of Widows)

"Here are the burdens of literature. Here is the perpetual wandering of ideas that have found a good home. Every chapter is an awakening. Every reflection, something not heard before." (Grace Cavalieri Washington Independent Review of Books)

“While Balakian’s essays [Vise and Shadow] reveal the ways history and its discontents inscribe themselves in the smallest features of familiar texts, his poems [Ozone Journal] offer a mournful silence in the face of these social upheavals, and their aftermath, that is only possible within the realm of art. Readers will find both texts equally necessary and equally moving.” (Kristina Marie Darling Colorado Review)

"With soaring critical erudition, Peter Balakian’s essays range across multiple genres--poetry, memoir, film, visual art, history, 'literary rock'--to create a brilliant collage of both American imagination and Armenian memory. An elegantly written, seminal work of sweeping importance." (James Carroll, author of An American Requium)

“Peter Balakian is the preeminent Armenian writer in English today, whether the genre is poetry (Ziggurat, Ozone Journal), memoir (Black Dog of Fate), history (The Burning Tigris), or, as in the present case, cultural criticism. . . . [Vise and Shadow] offer[s] new insights into the relationships between trauma, memory, and aesthetic form . . . by exploring two dimensions of the lyric imagination in poetry, art, and culture.”  
  (Keith Garebian World Literature Today)

"Vise and Shadow stands as an important contribution to the ongoing dialog about culture, modernity, and memory." (Talisman)

“Few American poets of the boomer generation have explored the interstices of public and personal history as deeply and urgently as has Balakian, and his significance as a poet of social consciousness is complemented by his work in other genres.” (David Wojahn Tikkun)

About the Author
Peter Balakian is the Donald M. and Constance H. Rebar Professor in Humanities and professor of English at Colgate University. He is the author of seven books of poems, most recently Ziggurat and June-tree: New and Selected Poems, 1974–2000. He is also the author of The Burning Tigris: The Armenian Genocide and America’s Response, a New York Times best seller, and Black Dog of Fate, a memoir. A new collection of poetry, Ozone Journal, is also available this spring from the University of Chicago Press.

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• Sales Rank: #7994075 in Books
• Published on: 1985
• Binding: Paperback
• 358 pages

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