Senin, 30 Januari 2012

[V765.Ebook] Fee Download The Rise and Decline of an Iberian Bourgeoisie: Manresa in the Later Middle Ages, 1250-1500 (Cambridge Studies in Medieval Life and Thought

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The Rise and Decline of an Iberian Bourgeoisie: Manresa in the Later Middle Ages, 1250-1500 (Cambridge Studies in Medieval Life and Thought



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The Rise and Decline of an Iberian Bourgeoisie: Manresa in the Later Middle Ages, 1250-1500 (Cambridge Studies in Medieval Life and Thought

The Rise and Decline of an Iberian Bourgeoisie is one of the first long-term studies in English of an Iberian town during the late medieval crisis. Focusing on the Catalonian city of Manresa, Jeff Fynn-Paul expertly integrates Iberian historiography with European narratives to place the city's social, political and economic development within the broader context of late medieval urban decline. Drawing from extensive archival research, including legal and administrative records, royal letters, and a cadastral survey of more than 640 households entitled the 1408 Liber Manifesti, the author surveys the economic strategies of both elites and non-elites to a level previously unknown for any medieval town outside of Tuscany and Ghent. In a major contribution to the series, The Rise and Decline of an Iberian Bourgeoisie reveals how a combination of the Black Death, royal policy, and a new public debt system challenged, and finally undermined urban resilience in Catalonia.

  • Sales Rank: #2059684 in Books
  • Published on: 2015-11-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .87" w x 5.98" l, 1.64 pounds
  • Binding: Hardcover
  • 369 pages

About the Author
Jeff Fynn-Paul is a Lecturer in History at the University of Leiden. His research interests include the economic and social history of Europe and the Mediterranean from 1300 to the present, and urban institutions, state formation, public debt, class and slavery in relation to economic growth.

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1 of 1 people found the following review helpful.
An Outstanding Work Making Extensive use of Primary Source Data
By Brintkt
An extremely well written in depth account of Manresa documenting the challenges experienced by its royally chartered civic government within medieval Catalonia as a financial revolution took hold. This level of historical and economic data is certainly necessary to better appreciate the impact that waves of plague and seemingly never ending conflicts had on a Catalonian inland city in the late fourteenth century. This work clearly explains, with examples, the financial structure fostered by the Crown of Aragon's monarchy to obtain Corts approved extraordinary taxes supporting its various external conflicts and civil war with Castile. The impact of the financial revolution within Catalonia is addressed with comparison made to other cities using data from the Florentine survey of 1427 and the Manresa Liber Manifesti of 1408. Significant primary source data is used throughout with tables to clearly indicate the summarized results of what was found. References and notes are provided in abundance.

As a graduate student, I highly recommend this book to anyone interested in medieval Catalonia and the Crown of Aragon. It provides an excellent detailed example of Catalan life and financial issues useful when working into Alan Ryder's book, "The Wreck of Catalonia".

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Sabtu, 21 Januari 2012

[C429.Ebook] Download Ebook Iain Sinclair: Noise, Neoliberalism and the Matter of London (Bloomsbury Studies in the City), by Niall Martin

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Iain Sinclair: Noise, Neoliberalism and the Matter of London (Bloomsbury Studies in the City), by Niall Martin

For much of the 20th century the modernist city was articulated in terms of narratives of progress and development. Today the neoliberal city confronts us with all the cultural 'noise' of disorder and excess meaning. As this book demonstrates, for more than 40 years London-based writer, film-maker and 'psychogeographer' Iain Sinclair has proved to be one of the most incisive commentators on the contemporary city: tracing the emerging contours of a metropolis where the meeting of global and local is never without incident. Iain Sinclair: Noise, Neoliberalism and the Matter of London explores Sinclair's investigations into the nature of conflicting urban realities through an examination of the ways in which the noise of neoliberal excess intersects with the noise of literary experiment. In this way, the book casts new light on theorisations of the city in the contemporary era.

  • Sales Rank: #7383855 in Books
  • Published on: 2015-09-24
  • Released on: 2015-09-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.07" h x .90" w x 6.32" l, 1.05 pounds
  • Binding: Hardcover
  • 216 pages

About the Author
Niall Martin is Postdoctoral Fellow at the Amsterdam Centre for Globalisation Studies, University of Amsterdam, The Netherlands.

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Kamis, 19 Januari 2012

[T636.Ebook] Free Ebook Acoustic Absorbers and Diffusers: Theory, Design and Application, by TREVOR COX, Peter D'Antonio

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Absorbers and diffusers are two of the main design tools for altering the acoustic conditions of a room, semi-enclosed spaces and the outdoor environment. Their correct use is important for delivering high quality acoustics.

This unique and authoritative text describes how to effectively measure, model, design, optimise and apply diffusers and absorbers. Surface diffusion is a relatively young subject area, and diffuser design, application and characterisation are new to practitioners and researchers, who may not have been exposed to this new information in their formal training. This book is a resource for new and experienced acousticians seeking an understanding of the evolution and current state of the art in diffuser research and practice. Absorption is a more established technology, and so the book blends traditional design with modern developments. By collecting the key aspects of absorbers in one text, the book offers new and experienced professionals an opportunity to understand this subject in more depth. This detailed book serves to cover the practical and theoretical aspects of absorbers and diffusers and is well illustrated, with examples of installations and case studies.

  • Sales Rank: #4935564 in Books
  • Published on: 2004-04-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.05" h x 7.02" w x 9.98" l, 2.24 pounds
  • Binding: Hardcover
  • 432 pages

Review

'We recommend this book to readers looking for an extensive and actualised view on the state-of-the-art on the subject. The authors are really in the front line of research, development and application.' - Gerrit Vermeir, Acta Acustica united with Acustica


 


'Any student or researcher dealing with room acoustics or sound control will want to have access to this important and well-written monograph. It is highly recommended for libraries serving programs in architecture and acoustics.' -Robert Michaelson, E-Streams Vol 7, No. 12

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6 of 9 people found the following review helpful.
Diffusers: in-depth discussion
By Walter Kawai
This book is more concentrated on diffusers than absorbers, with extensive care on Schroeder diffusers. Also it is more concentrated on acoustical physics than the discussion on various acoustic materials.

Some peoples (like me) may find the chapter "Measurement of Absorber properties" exceptionally useful.

To illustrate my point: you cannot find the terms "anechoic chamber" in the index.

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Rabu, 11 Januari 2012

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In Search of the Promised Land. A Slave Family in the Old South. SIGNED., by John Hope and Schweninger, Loren Franklin

  • Published on: 2006
  • Binding: Hardcover

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Sabtu, 07 Januari 2012

[G954.Ebook] Download Ebook Elizabethan Stitches: A Guide to Historic English Needlework

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Elizabethan Stitches: A Guide to Historic English Needlework

  • Published on: 1800
  • Binding: Paperback

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Kamis, 05 Januari 2012

[A560.Ebook] Free PDF Guatemalan Spanish: Speak like a Native!, by Lee Jamison

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Guatemalan Spanish: Speak like a Native!, by Lee Jamison

Don’t settle for generic Spanish! Put away the stale phrasebooks and learn to speak just like the natives! Join us as we explore the most common expressions used in the “Land of Eternal Spring.” What is a mish? Is it different from a chucho? What if you ask someone how he’s doing and the response is “Dos que tres.” Why the numbers? Find out the real meaning behind the words. You’ll save money at the market and even make new friends. Start learning Spanish… one country at a time.

  • Sales Rank: #534029 in eBooks
  • Published on: 2013-12-23
  • Released on: 2013-12-23
  • Format: Kindle eBook

About the Author
Lee Jamison has worked in a voluntary educational work among the Hispanic community for some thirty years. During most of that time he has lived and traveled throughout Central America, and currently resides with his wife Moraima in Mexico City, where he continues to learn country-specific Spanish one conversation at a time.

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5 of 5 people found the following review helpful.
Speak like a Chapín!
By Dale Ray Thomas
For about 50 years I have been very interested in the slang of Latin American countries. When a foreigner can use correctly the pet expressions of the host country, smiles appear and doors open. Having visited about 18 Latin American counties and lived in Brazil, Costa Rica, and Panama I know this to be true. If you have contact with Guatemalans, Jamison's book will give you a headstart at learning to express yourself as a Chapín. The vocabulary is useful, practical, and explained with many examples of how to use it in everyday conversations. I would like very much to see the book expanded to include more expressions, and it would also be helpful to have an English-to-Guatemalan-slang index.

Jamison, you did a great job!

1 of 1 people found the following review helpful.
A Usage Guide
By Gadget Fan
This is a cute book. 200 (plus 1) Guatemalan idioms are explained. What is nice is that each entry is more than just a definition, but also there are elaborations that help understand how to use each phrase. But there is a lot more to Guatemalan Spanish than what is here.

If you want to know more about Guatemalan Spanish, look for the Dictionary of Popular Guatemalan expression by Daniel Armas. There are several editions of this book, here is one: Diccionario de la Expresion Popular Guatemalteca. I - Vocabulario, II - Modismos, III - Apendice, Adagios y Refranes It is a few decades old so may not have the most modern usage, but it has a few thousand more "Chapinismos" (phrases used in Guatemala). In Guatemala, look for this book in the Piedra Santos store in Gemenis Mall (Zona 10).

If you want even more, look for the book Chapinismos del Quijote (Spanish Edition). I have not read it, but I was told that it explains that many of the idiosyncracies of Spanish as spoken in Guatemala come from the fact that early Spanish settlers in Guatemala are from the same region of Spain as Cervantes, thus the Spanish spoken in Guatemala continues to use the language of Don Quixote. In Guatemala, look for this book in Sophos bookstore in Fontabella Mall (Zona 10).

[Try the .mx and .es amazon site of you don't find these additional books on the amazon.com site.]

2 of 2 people found the following review helpful.
Valuable tool
By Marine Vet
This is a must if you are traveling to Guatemala. I knew cerain words in other languages could have hidden meaning, but this really helps you make sure you are saying the words correctly and in the correct context.

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Selasa, 03 Januari 2012

[O636.Ebook] Download Ebook A Manual of Advanced Celestial Photography, by Brad D. Wallis, Robert W. Provin

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A Manual of Advanced Celestial Photography, by Brad D. Wallis, Robert W. Provin

The new improvements in telescopic equipment make it possible for amateur telescopes to equal the photographic performance of many professional telescopes. A Manual of Advanced Celestial Photography forms a unique technical handbook for amateur astrophotographers. It includes detailed discussion of topics never before included in a general survey, such as photographic optics, instrument design, techniques at the telescope, films and developers, advanced darkroom methods, sensitometry and film hypersensitization. Throughout the book emphasis is placed on professional laboratory methods to encourage readers to conduct their own experiments and to make contributions to the science of photography. The authors have considerable experience in both the practice and theory of astronomical photography. In addition, special techniques are discussed by experts in the relevant fields, making this a very comprehensive and up-to-date manual which should be the basic reference work for all amateur astrophotographers.

  • Sales Rank: #2735901 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1988-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x 1.34" w x 7.44" l, 1.10 pounds
  • Binding: Hardcover
  • 408 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Another good reference book on astrophotography
By d2f
I am just starting out in this area of photography and this is a great reference book for those of us who are self taught.

2 of 5 people found the following review helpful.
Not for the masses
By rbhare@concentric.net
If one can read through the author's interminablly sophomoric and condescending attitude(s); perhaps a nuggest or two of knowledge can be gleaned by those who can perservere. The commercial reviews are terribly outdated. This book is for those who have unlimited funding for building exotic telescopes and accessories. I cannot recommend this book and wish I had not read it so I could return it for a refund.

5 of 5 people found the following review helpful.
Best book on conventional astrophotogrpahy.
By A Customer
A great referance for the advance amateur covering the history and methods ( applied and theoretical ) of astrophotography. A definite must for all amateur astronomers that photograph the sky.

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[W327.Ebook] Ebook Free The Craftsman's Handbook: "Il Libro dell' Arte", by Cennino d'Andrea Cennini, Jr. Daniel V. Thompson

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The Craftsman's Handbook:

This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft.
Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum — which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. ("I will not tell you about the irrational animals because you will never discover any system of proportion in them.") So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity.
Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and naïve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age.
"Recommended to the student of art." — Craft Horizons.
"Obviously of great merit." — Art Material Trade News.
"Delightful flavor." — New York Herald Tribune.
Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries.

  • Sales Rank: #117238 in Books
  • Published on: 1954-06-01
  • Released on: 1954-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.96" h x .38" w x 5.39" l, .43 pounds
  • Binding: Paperback
  • 192 pages
Features
  • THE CRAFTSMAN'S HANDBOOK
  • TRANSLATED BY DANIEL V. THOMPSON, JR.

From the Back Cover

This is D. V. Thompson's definitive English translation of Il Libro dell'Arte, an intriguing guide to methods of painting, written in fifteenth-century Florence. Embodying the secrets and techniques of the great masters, it served as an art student's introduction to the ways of his craft.
Anyone who has ever looked at a medieval painting and marveled at the brilliance of color and quality of surface that have endured for 500 years should find this fascinating reading. It describes such lost arts as gilding stone, making mosaics of crushed eggshell, fashioning saints' diadems, coloring parchment, making goat glue, and regulating your life in the interests of decorum—which meant shunning women, the greatest cause of unsteady hands in artists. You are told how to make green drapery, black for monks' robes, trees and plants, oils, beards in fresco, and the proper proportions of a man's body. ("I will not tell you about the irrational animals because you will never discover any system of proportion in them.") So practical are the details that readers might be tempted to experiment with the methods given here for their own amusement and curiosity.
Today artists are no longer interested in specific directions on keeping miniver tails from becoming moth-eaten. The Craftsman's Handbook, in which these are ordinary parts of the artist's work, appears quaint and naïve to us. And that is much of its charm. But when we remember the magnificent mosaics, paintings, and frescoes these methods produced, the book takes on an even greater value as a touchstone to another age.
"Recommended to the student of art."—Craft Horizons.
"Obviously of great merit."—Art Material Trade News.
"Delightful flavor."—New York Herald Tribune.
Recommended in Harvard List of Great Books on Art, Shaw's List of Books for College Libraries.

Most helpful customer reviews

17 of 17 people found the following review helpful.
instruction manual for historic painting
By Kirsten M. Houseknecht
This little gem contains a great deal of use for anyone trying to duplicate authentic, medieval /rennaisance painting techniques. The instructions on making egg tempera paints, for example, are extremely clear. This book may as well have "required reading" on the cover for anyone who is interested in painting, calligraphy, illumination or related fields in history and practice.

Please be aware! many techniques, pigments, and methods used in history were hazardous. many pigments in use in proffessional art workshops today are hazardous as well, but the Medeival artist did not have OSHA regulations and disclaimers. Please investigate the safety of ANY procedure or pigment before use.

This book is referenced by many other authors and webpages for their instructions, and can be used as Primary Documentation for most living history groups

46 of 47 people found the following review helpful.
Cennino's Handbook, Still Illuminating
By Margie Burns
Art, genuine art, is a pleasure not only in the thrill of color and line but in its procedure and materials. In fifteenth-century Florence, an artist named Cennino d'Andrea Cennini compiled a handbook for contemporary and future painters to consult in their drawing and painting from the beginning, in choosing their ingredients, mixing their paints and preparing their paper or cloth for painting on.

Unlike the making of sausage, the elements of creating art are a delight. Here are some how-to's excerpted from this wonderful little book (translated by Daniel V. Thompson, Jr., 1933, reprinted numerous times by Dover), still vibrant five hundred years after it was composed. The details also unwittingly reveal something of contemporary everyday life, where the art came from.

To paint on a panel, you start with a little boxwood panel nine inches square, washed with clear water and rubbed and smoothed down. "And when this little panel is thoroughly dry, take enough bone, ground diligently for two hours, to serve . . . take less than half a bean of this bone, or even less. And stir this bone up with saliva. Spread it all over the little panel with your fingers; and, before it gets dry, hold the little panel in your left hand, and tap over the panel with the finger tip of your right hand [presumably Cennino was right-handed] until you see that it is quite dry. And it will get coated with bone as evenly in one place as in another."

Wondering where to find the bone? "You must know what bone is good. Take bone from the second joints and wings of fowls, or of a capon; and the older they are the better. Just as you find them under the dining-table, put them into the fire; and when you see that they have turned whiter than ashes, draw them out, and grind them well on the porphyry."

Parchment comes from sheep or goats; to draw on sheep parchment, the artist lightly inscribes the background of bone with a sharp point. "On the parchment you may draw or sketch with this [stylus] of yours if you first put some of that bone . . . all over the parchment . . . dusting it off with a hare's foot." To add ink, "shade the folds with washes of ink; that is, as much water as a nutshell would hold, with two drops of ink in it; and shade with a brush made of minever tails . . ."

"And if you ever make a slip, so that you want to remove some stroke made by this little lead, take a bit of the crumb of some bread, and rub it over the paper, and you will remove whatever you wish."

The artist gives equally clear and detailed instructions for whittling goose quills to get a sharp point for ink drawing, to tempering paper with several coats of glue (tempera), to making clear tracing paper by scraping kid parchment and treating it with linseed oil. White lead is a basic ingredient, so is saliva. (Saliva combined with lead poses a health hazard; painters often died young.) Colors come largely from minerals, and the author explains how to pulverize and mix minerals to produce the paints desired.

Cennino explains every procedure in gessoing, stamping on gold, working on cloth, painting on velvet (yes, it goes way back), gilding saints' haloes, designing brocades, and embellishing with gold or tin. Much of a loss for art history, his instructions for mosaics are regrettably long since gone.

The author also makes some opening remarks designed to put art in context in creation. Much as he loves art, Cennino subordinates it to thinking, and he never loses sight of the fact that it is work. After the fall, "Man . . . pursued many useful occupations, differing from each other," some "more theoretical than others; they could not all be alike, since theory is the most worthy." Art is a "labor of love," but it is still labor.

Still, his praise for art, being genuine, is as strong as any I have ever read: "Close to [theory], man pursued . . . an occupation known as painting, which calls for imagination, and skill of hand, in order to discover things not seen, hiding themselves under the shadow of natural objects, and to fix them with the hand, presenting to plain sight what does not actually exist. And it justly deserves to be enthroned next to theory, and to be crowned with poetry."

5 of 5 people found the following review helpful.
Insight into renaissance painting technique
By Ana
This ultimate treatise on painting technique, together with the perception and insight of the artist Cenninni opens a wonderful new window into the realities of art and craftsmanship in this fascinating period. One also gets an idea of just how skilled these people are and how hard they worked to achieve the perfection in their works. A MUST-have for anyone interested in Renaissance painting, or painting technique - from the horse's mouth. I'm thrilled to possess this book!

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[C902.Ebook] Ebook An introduction to Gurdjieff's Third series Life is real only then, when "I am", by John G Bennett

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An introduction to Gurdjieff's Third series Life is real only then, when

  • Sales Rank: #10541353 in Books
  • Published on: 1975
  • Binding: Paperback
  • 34 pages

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